UPDATE: Postponed to 11th Nov. Queer Reads Bangalore: THE PREGNANT KING by Devdutt Pattanaik

 So – we meet on the 11th of November, at 4 pm. I suggest Swabhava for our first meet, and after that we can shift venues to other places we can choose. 4 to 6 pm.

QUEER READS BANGALORE is a reading group, open to anyone, everyone, age, gender, race, orientation, class, caste no bar – and we shall focus on novels, shorts, novellas, plays, poems – all that is written, and written in the creative sphere – that are concerned with Queer and Questioning, Unidentified, Intersexed, Lesbian, Transgender and Transsexual, Bisexual, Asexual, Gay and Genderqeer themes, people, communities and issues – no matter the orientation of the person who wrote them. On the other side of the coin, we shall read literature by Queer and Questioning, Unidentified, Intersexed, Lesbian, Transgender and Transsexual, Bisexual, Asexual, Gay and Genderqeer writers irrespective of how non-heteronormative their literature may seem on the surface.

Think QUILTBAG literature.🙂
To read:
THE PREGNANT KING is written by Devdutt Pattanaik. You can find it on Flipkart.

We’re still feeling our way through this, but come, bring friends. Come if you love the book, HATE the book, didn’t understand the book – disagreement is good, complete harmony is good, everything but you not saying anything is good.

From Devdutt Pattanaik’s website

“The Hindu epic, Mahabharata, written over 2000 years ago, narrates the tale of one Yuvanashva, a childless king, who accidentally drinks the magic potion meant to make his queens pregnant. The child thus conceived in and delivered from his body grows up to be Mandhata, a ruler of great repute.

What does the son call Yuvanashva? Father or mother? Can mothers be kings? Can kings be mothers? In the ancient epic, and the sacred chronicles known as the Puranas, which hurry through this slip of a tale, nobody raises these uncomfortable questions. They do so in this book.

And so a new narrative emerges: a fiction fashioned out of mythological and imaginary tales where lines are blurred between men and women, sons and daughters, husbands and wives, fathers and mothers.

There is Pruthalashva, who must be father because he is a man, and Shilavati, who cannot be king because she is a woman. There is Sthunakarna, a Yaksha, who forsakes his manhood to make Shikhandi a husband and then reclaims it to make Somavat a wife. There is Arjuna, a great warrior with many wives, who is forced to masquerade as a woman after being castrated by a nymph. There is Ileshwar Mahadev, god on full moon days and goddess of new moon nights and Adi-Natha, the teacher of teachers, worshipped as a hermit by Yaja and an enchantress by Upayaja. And finally there is Yuvanashva, the hero, king of Vallabhi, who after marrying three times to three very different women, creates a life within him, as mothers do, and then a life outside him, as fathers do, and wonders if he is either, neither or both.

If biology is destiny, if gender is a cornerstone of dharma, then how does Yuvanashva make room for such disruptions in order? For a good king, who wants to be great, must be fair to all: those here, those there and all those in between.”

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